Frank Rich has an interesting column out today about how US media have trivialized events in Egypt when not ignoring them for years on end. Just as carrying a placard in English will get you videoed, being able to speak English- which Internet users in Arab states often can, gets you interviewed and quoted. It's lazy journalism borne of the big networks' insane need to parachute their star newsreaders into places like Cairo so they can stand in front of something at night and repeat what their producers are whispering into their earmikes. Cable news is even lazier, having invented the endless loop of repeating video clips with no sound as the talking heads chatter away.
It'll be interesting to see how the news people cope with the trifecta of the Reagan Centennial, Egypt and the Super Bowl ads. But back to Rich's article:
It'll be interesting to see how the news people cope with the trifecta of the Reagan Centennial, Egypt and the Super Bowl ads. But back to Rich's article:
Among cyber-intellectuals in America, a fascinating debate has broken out about whether social media can do as much harm as good in totalitarian states like Egypt. In his fiercely argued new book, “The Net Delusion,” Evgeny Morozov, a young scholar who was born in Belarus, challenges the conventional wisdom of what he calls “cyber-utopianism.” Among other mischievous facts, he reports that there were only 19,235 registered Twitter accounts in Iran (0.027 percent of the population) on the eve of what many American pundits rebranded its “Twitter Revolution.” More damning, Morozov also demonstrates how the digital tools so useful to citizens in a free society can be co-opted by tech-savvy dictators, police states and garden-variety autocrats to spread propaganda and to track (and arrest) conveniently networked dissidents, from Iran to Venezuela. Hugo Chávez first vilified Twitter as a “conspiracy,” but now has 1.2 million followers imbibing his self-sanctifying Tweets.
This provocative debate isn’t even being acknowledged in most American coverage of the Internet’s role in the current uprisings. The talking-head invocations of Twitter and Facebook instead take the form of implicit, simplistic Western chauvinism. How fabulous that two great American digital innovations can rescue the downtrodden, unwashed masses. That is indeed impressive if no one points out that, even in the case of the young and relatively wired populace of Egypt, only some 20 percent of those masses have Internet access.
That we often don’t know as much about the people in these countries as we do about their Tweets is a testament to the cutbacks in foreign coverage at many news organizations — and perhaps also to our own desire to escape a war zone that has for so long sapped American energy, resources and patience. We see the Middle East on television only when it flares up and then generally in medium or long shot. But there actually is an English-language cable channel — Al Jazeera English — that blankets the region with bureaus and that could have been illuminating Arab life and politics for American audiences since 2006, when it was established as an editorially separate sister channel to its Qatar-based namesake.
Al Jazeera English, run by a 35-year veteran of the Canadian Broadcasting Company, isroutinely available in Israel and Canada. It provided coverage of the 2009 Gaza war and this year’s Tunisian revolt when no other television networks would or could. Yet in America, it can be found only in Washington, D.C., and on small cable systems in Ohio and Vermont. None of the biggest American cable and satellite companies — Comcast, DirecTV and Time Warner — offer it.
The noxious domestic political atmosphere fostering this near-blackout is obvious to all. It was made vivid last week when Bill O’Reilly of Fox News went on a tear about how Al Jazeera English is “anti-American.” This is the same “We report, you decide” Fox News that last week broke away from Cairo just as the confrontations turned violent so that viewers could watch Rupert Murdoch promote his new tablet news product at a publicity event at the Guggenheim Museum in New York.
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