Of course, MOTUS thinks "syntax" is something he can reduce to 15%

From F.T. Marinetti's manifesto of Futurism and the Arts in the Mussolini era:

He will begin by brutally destroying the syntax of his speech. He wastes no time in building sentences. Punctuation and the right adjectives will mean nothing to him. He will despise subtleties and nuances of language. Breathlessly he will assault your nerves with visual, auditory, olfactory sensations, just as they come to him. The rush of steam-emotion will burst the sentence’s steampipe, the valves of punctuation, and the adjectival clamp. Fistfuls of essential words in no conventional order. Sole preoccupation of the narrator, to render every vibration of his being.

From Matt Taibbi's 2017 article,  The Madness of Donald Trump:

Trump wasn't always crazy. He wasn't even always obnoxious. Many Americans don't remember, but the Donald Trump who appeared on TV regularly in the Eighties and Nineties was often engaging, self-deprecating, spoke in complete sentences and (verbally, anyway) usually lived up to his expensive schooling. He'd say things like, "These are the only casinos in the United States that are so rated," and use words and phrases like "a somewhat impersonal life" and "money isn't a totally essential ingredient." 

The difference today is striking. Trump has not only completely lost his sense of humor, particularly about himself, but he's a lingual mess. In his current dread of polysyllables – his favorite words include "I," "Trump," "very," "money" and "China" – he makes George W. Bush sound like Vladimir Nabokov. On the page, transcripts of his speaking appearances often look like complete gibberish. 

"When I did this now I said, I probably, maybe will confuse people, maybe I'll expand that," he said to Lester Holt in May, "you know, I'll lengthen the time because it should be over with, in my opinion."